Meet Karin.
Karin Klein spent her growing up years in the Midwest as the oldest of four children. Her great-grandmother instilled in her a love for painting during the early days of her childhood, but it was after a series of challenging events after high school that Karin says she felt as if God “opened her eyes” to color and the style of art that she now pursues.
Each of her pieces is deeply personal—often embodying aspects of the season of life in which she is living. Not formally trained, Karin states her process always feels “experimental” and deeply spiritual, and although she usually begins by being inspired by another work of art, she often feels her own pieces are “uncovered” as she paints.
Karin has always had a love for words, and many of her pieces are accompanied by her poetry with insights into the thoughts or concepts she processed as she painted them.

Each piece a story…
<—newer SWIPE older—>
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"Desert"
Acrylic on canvas. 2011
“If you could understand what it is to breathe again—after your breath has been stolen for so long…”
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"After the Storm"
Acrylic on canvas. 2011
“Settle down, mindful of this minute and the one that follows—not too busy ripping weeds to notice the morning’s gossamer film in the big powder blue—and the dove hopping ‘round the thicket of your heart and cooing, ‘Peace, for all dwells still.’”
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"Gossamer"
Acrylic on canvas. 2013
“Let me tell you how I love you
As the shoots that reach for light
As it wanes in autumn
For hope that sturdies the stalks
Of aged plants after many harvests
That they may fruit ‘till dying breath
‘Till last light and frost and dust or blight
Are my thoughts, is my heart for you
Carried by the current of dreams and whispered prayers
Tucked into dark cool places to cure like seed
Does my hope lie verdant and my heart in wait for spring
To be planted with you, to go to seed or whatever may come
To love you wherever you fly.”
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"Winter"
Acrylic on canvas. 2015
“December finds me where colors darken and fade, and dreams sleep deeply.
I pressed into the nights
Pasted them onto the pages of my memories
The ones I keep
Close to where I sleep
That I may awake in slumber
To dream them to color again”
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"The Crimson Wait"
“Wading in the calf-deep morass, tepid and fetid with thick oil-slick mirrors and rainbow bands that bend and stretch—every step mocks the muted sky. Blanking on the horizon’s hue, pallid and wan and headache effulgent with chalky clouds that fleck and dust—every step mocks the muted sky—reeling in the crimson wait, weathered and weak with hungering deep, with words of promise that linger and ebb—every step mocks the muted sky.”
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Study of "Martinique Landscape"
Interpretation of one of Paul Gauguin’s paintings. Acrylic on canvas. 2016
“When you leave a place, you exchange a piece of yourself for a memory, and it is often an even trade, for we know where we are by what we remember…
Words pour through our hearts
Fill our steps, reflect
We shift our treasures
As we sift our thoughts
Some pearls must be dropped
To bear what we carry
Who can say
What a morning may hold
Save gentle light—
Blessed hope of His mercies”
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"Circumference"
“Spinning ever on, the world tilted pushing towards a new horizon.
I spin
let me show
show you sorrow
ring of hope
fissure of dark
let
me show, sorrow
my closest companion
I know sorrow
know him well
sadness bites
always bites my heels”
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"Badlands"
Acrylic on canvas. 2017
Hope that took my hand
And stilled my soul
When called my voice o’er Sorrow’s
Bid me rest
The briery vex, which barred my way
And each step—feet filled with thorns
Soaked through by storms that raged
Against the nascent morn’
In my heart, I hear, “Remember”
I know He ne’er forsaketh
Long the dark and narrow way
And heaven’s promise drives us on
In a world not fit for home”
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"Process"
“This, the color of my love.
Just to be with You in the sweetness of sacrifice now unafraid of never having what I thought I’d always wanted—now unafraid of trusting You in darkness, of walking where I cannot see. Your voice is enough—and to look into the eternal majesty of Your eyes, meek and humble, is enough to settle my heart for all my days.”
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"Mumsy: insights into her heart"
Acrylic on canvas. 2018
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"Cotton Marsh"
Acrylic on canvas. 2020
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"Beauwater"
Acrylic on canvas. 2020
Commissioned piece.
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"Snjor"
Acrylic on canvas. 2022
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"The Expanse"
Acrylic, plaster, and grass on sheetrock. 2022
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"In the Stillness"
Acrylic and plaster on canvas. 2022
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"In the Rushes"
Acrylic and colored pencil on sheetrock. 2022
“Silence can burn so loud
And scratch like rug burns on the forehead
Crying out so desperately and loud from a muted heart
When strength fades and sleep overtakes thought and focus
And all the unanswereds are beaten into the gravel with each blow of a hoe at the life root
Trying to reconcile
Trying to reconcile years and time and depth
And why feelings come and go
And why life still grows and must be trained like berry shoots in the fall
And how it’s okay to cherish things in the heart and not need to be seen
And not need to be praised
And that just being still with You is more than enough
And You plumb the depths of my heart
And I cry out and grasp at the hem of Your voice”
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"All my worship"
Acrylic, plaster, paper, and tea leaves on sheetrock. 2023
I started this piece with a stack of worship music that had been collecting dust. I’ve felt shut down and burned out for the last four years.
I thought about how we offer pleasing sacrifices to the Lord—how we place things on the altar, and the fire of His presence consumes them and turns them into a pleasing aroma.
I shredded and steeped these pages in tea, as I pondered these truths.
Using this mixture of paper and tea along with glue and plaster, I formed the texture for this piece’s surface.
It’s a new day, and I’m pressing in towards a new song of praise.
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"Sabbath"
Acrylic and graphite on canvas boards. 2023
“There remains, then, a Sabbath-rest for the people of God;
for anyone who enters God’s rest also rests from his own work, just as God did from his.
Let us, therefore, make every effort to enter that rest…”
Hebrews 4:9-11